Nach - Schrift Eine Chiffre , small orchestra 17 players , , revised Monodram , cello, orchestra 12 winds, 11 brass, harp, piano, timpani, 2 percussion, 30 strings , — Spur Orchesterskizze , orchestra 3 flutes, 2 oboes, English horn, 2 A-clarinets, bass clarinet, 2 bassoons, contrabassoon, 3 French horns, 3 trumpets, 3 trombones, harp, piano, celesta, timpani, 2 percussion, 6 violins, 6 violas, 6 cellos, 3 double basses , — Abkehr , large orchestra 5 piccolos, 4 oboes, 5 A-clarinets, 3 bassoons, contrabassoon, 11 brass, 2 harps, timpani, 2 percussion, strings , Compresenze Umrisse und Eingriffe , large orchestra 97 players , — Danse Ein Orchesterstenogramm , orchestra 9 winds, 10 brass, 2 harps, timpani, strings , Blick Ein Klangbild , distant ensemble trumpet, snare drum , orchestra 12 winds, 10 brass, harp, piano, timpani, 4 percussion, 2 violins, viola, 3 cellos, 2 double basses , — Schwebende Begegnung , 4 distant trombones, orchestra 4 piccolos, 3 oboes, 3 clarinets, 4 French horns, 3 trumpets, harp, piano, 5 percussion, 4 violas, 3 double basses , Dunkles Spiel , small orchestra clarinet, bassoon, 2 French horns, 2 trombones, harp, piano, 4 percussion, 2 violas, 4 cellos, 2 double basses , — Ungemaltes Bild after unfinished paintings by Emil Nolde , 2 violins around hall , 3 percussion around hall , orchestra 2 piccolos, flute, 2 A-clarinets, bass clarinet, 4 French horns, 3 trumpets, 3 trombones, contrabass tuba, harp, piano, percussion, 4 violas, 4 cellos, 2 double basses , — Ins Offene Gesungene Zeit , violin, small orchestra 8 winds, French horn, 2 trumpets, trombone, harp, 2 percussion, 2 violins, 4 violas, 4 cellos, 2 double basses , — Dritte Musik in memoriam Kurt Kocherscheidt , violin, orchestra 4 clarinets, 4 bassoons, 3 French horns, 2 trombones, tuba, harp, piano, accordion, timpani, 5 percussion, 10 violas, 8 cellos, 6 double basses , Vers une symphonie fleuve II , distant ensemble 2 trumpets, 2 percussion , large orchestra 4 flutes, 2 oboes, 2 English horns, 4 A-clarinets, 2 bass clarinets, 2 bassoons, 2 contrabassoons, 4 French horns, 2 piccolo trumpets, 2 trumpets, 2 trombones, 2 contrabass tubas, 2 percussion, 51 strings , — Vers une symphonie fleuve III , distant ensemble 2 trumpets, 2 percussion , large orchestra 4 flutes, 2 oboes, 2 English horns, 4 A-clarinets, 2 bass clarinets, 2 bassoons, 2 contrabassoons, 4 French horns, 2 piccolo trumpets, 2 trumpets, 4 trombones, 2 contrabass tubas, timpani, 2 percussion, strings , — IN - SCHRIFT , orchestra 3 flutes, 2 A-clarinets, bass clarinet, contrabassoon, 4 French horns, 3 trumpets, 4 trombones, 2 contrabass trombones, contrabass tuba, harp, timpani, 5 percussion, 7 cellos, 7 double basses , Ernster Gesang , orchestra English horn, 4 A-clarinets, 2 bassoons, contrabassoon, 4 French horns, 3 trombones, bass tuba, timpani, 12 violas, 10 cellos, 8 double basses , may be performed together with Lied as Ernster Gesang mit Lied.
Verborgene Formen , small orchestra 2 flutes, English horn, A-clarinet, bass clarinet, bassoon, 2 French horns, 2 trumpets, 2 trombones, tuba, harp, piano, 3 percussion, viola, cello, double bass , — Styx und Lethe , cello, orchestra 4 flutes, English horn, E-flat clarinet, 4 bassoons, 4 French horns, trumpet, 3 trombones, tuba, harp, piano, percussion, 16 violins, 8 cellos, 6 double basses , — Marsyas Rhapsodie , trumpet, percussion, large orchestra 76 players , — Sotto voce I Notturno , piano, orchestra piccolo, flute, oboe, English horn, A-clarinet, bassoon, 2 French horns, harp, timpani, maximum 34 strings , Spiegel und Fluss Nachspiel und Vorspiel , orchestra 12 winds, 10 brass, harp, timpani, percussion, strings , Gejagte Form , small orchestra 6 winds, 7 brass, harp, piano, 3 percussion, 2 violins, viola, cello, 5-string double bass, bass guitar , — Verwandlung I , large orchestra 6 winds, 4 French horns, trumpet, 2 trombones, harp, piano, timpani, 3 percussion, 50 strings , Unbenannt IV , organ, large orchestra 3 flutes, oboe, English horn, 3 A-clarinets, bassoon, 2 contrabassoons, 5 French horns, 2 trumpets, 4 trombones, 2 contrabass tubas, 2 harps, piano, 4 percussion, 48 strings , —03, revised Dritter Doppelgesang , clarinet, viola, orchestra 2 flutes, oboe, 2 A-clarinets, bassoon, 2 French horns, trumpet, trombone, harp, 40 strings , Two Other Movements , large orchestra 12 winds, 11 brass, harp, timpani, 3 percussion, 60 strings , Verwandlung II , orchestra 8 winds, 10 brass, harp, timpani, percussion, strings , Sotto voce II Capriccio , piano, orchestra 2 flutes, 2 oboes, A-clarinet, bassoon, 2 French horns, timpani, strings , Verwandlung III , orchestra 8 winds, 10 brass, harp, timpani, percussion, 50 strings , — Verwandlung IV , orchestra 8 winds, 10 brass, timpani, 2 percussion, strings , Konzert , piano, ensemble flute, bassoon, trumpet, trombone, violin, viola, cello , Canzona , 4 violas, also longer version as Canzona nuova , 5 violas, Following an uprising against the couple, Mary was imprisoned in Loch Leven Castle.
On 24 July , she was forced to abdicate in favour of James, her one-year-old son by Darnley. After an unsuccessful attempt to regain the throne, she fled southwards seeking the protection of her first cousin once removed, Queen Elizabeth I of England.
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Mary had previously claimed Elizabeth's throne as her own and was considered the legitimate sovereign of England by many English Catholics, including participants in a rebellion known as the Rising of the North. Perceiving her as a threat, Elizabeth had her confined in various castles and manor houses in the interior of England. After eighteen and a half years in custody, Mary was found guilty of plotting to assassinate Elizabeth, and was subsequently beheaded. Taken from Wikipedia. To view the full article, please click here.
With silent might. A dark and heavy band Lay round their Anxious souls. Infinite was the earth, Abode of the gods And their home. Rich in treasures And glorious wonders.
Since eternity Stood her mysterious frame. An ancient giant Supported the blissful world.
And the befriended Joyful mankind. The dark blue depths Of the sea Was the womb of a goddess. Heavenly hosts Dwelt in joyful delight In the grottoes of crystal- Trees and brooks, Blossoms and beasts Had human sense; Sweeter tasted the wine. For a god in youthful bloom Gave it to man. The full sheaves Of golden com Were divinely bestowed; The rapturous joys of love A sacred service To heavenly beauty. Thus was life An eternal festival Of gods and men. Only there was one thought Which frightful to the festive tables trod, And in wild panic fear all hearts enveiled. Here words of counsel even failed each god.
Which with sweet comfort could their hearts have filled; Mysterious was this monster's dreadful road, Whose rage no gift, no anxious prayer availed— For it was Death, who this gay banquet scene Broke up in pain and tears and anguish keen. Forever now from all things separated Which here do stir the heart in sweet delight— From loved ones parted, whom, down here, belated.
Herbsttag (Autumn Day) - Rainer Maria Rilke (English Translation, Interpretation #) (Symbolism)
Vain longings and an endless grief incite— Dull dream the lot to which the dead seemed fated, Unconscious struggling deemed their dreary plight. Broken and shattered was the wave of pleasure Upon the rock of misery without measure. With daring mind, and lofty feeling's zest, Did man embellish that grim mask unkind, A pale wan youth puts out the light to rest, Soft is the end, as harp strings touched by wind, And memory melts in shadow-flood at last: Thus poets eased the need of troubled mind.
Yet still unfathomed stayed eternal night. The solemn symbol of a far-off might. To its end inclined The ancient world.
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The happy garden Of the youthful race Withered away; Out into freer spaces Strove the full-grown, Unchildhke mankind. Laws arose, And in ideas As in dust and air Fell to pieces The measureless prime Of the thousandfold life. Fled away Were all-powerful faith And fantasy. All-transforming, AU-imiting, Heavenly comrade. Unfriendly blew A cold north wind Over the frozen plains, And the wonderland home Passed away in the ether.
The infinite distance Of heaven Was filled with shining worlds. Into a deeper sanctuary. Into the mind's higher realms. Drew the soul of the world With her powers. There to reign Till the new day Should break. The loftier world-glory. No longer was Hght The abode of the gods. And a heavenly token- Around them they drew The curtain of night. In the midst of mankind.
In a folk Despised above all. Too soon grown ripe, And proudly estranged From the blessed innocence Of youth. Before all others Did the eastern wisdom, Rich flowering, full of foreseeing.
Abschied von der Welt | Oxford Lieder
Know the approach Of the new age. A star pointed the way To the King's humble cradle. In the name of the far future They paid him homage. With the splendor and perfumes Of the highest wonders of nature. Unfolded the heavenly heart In sohtude To a glowing bosom of love, Turned toward The Father's lofty countenance, And resting on the holy foreboding breast Of the gracious earnest Mother. With worshiping ardor The prophetic eye Of the blossoming child Looked into future times.
Soon the most childhke natures, Wondrously gripped By the almighty love. Gathered aroimd him. A strange new life Flowered forth In his presence- Inexhaustible words. Most joyful of tidings. Fell hke sparks Of divine spirit From his gracious lips. From far coasts, Bom under serene skies Of Hellas Came a singer To Palestine And surrendered his heart To the miraculous child: Thou art that youthful form our tombs display Standing above them, deep in contemplation, ConsoHng emblem in our darkest day Of higher manhood's joyful new foundation.
What once had sunk us down, to grief a prey. Now draws us thence with longing's sweet elation.
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In Death was germ of hfe eternal found, Thyself art Death, and first doth make us sound. So that a thousand hearts Inchned themselves to him. And the glad gospel Upward waxed Branching a thousandfold. But yet short time After the singer passed, The precious life Became a sacrifice For the deep fall of man- Young in years he died, Tom away From the loved world, From the weeping Mother, From his friends. The holy mouth Emptied the dark cup Of untold sorrow. In dreadful anguish Drew nigh to him the birth hour Of the new world. Hard wrestled he with the horrors Of ancient death.
Heavy upon him lay The weight of the old world.